This book is art-light and text-heavy, even though the main thing it was waiting for was the art. On the other hand, it has a very nicely designed title page that makes the centrally placed yin-and-yang symbol jump out. I've been going through the text and finding only a few minor typos here and there. I'm hoping it will actually be ready to be released sometime soon, but of course that depends largely on matters both out of my control and out of my view. But Nikki Vrtis has done her usual admirable job of coordinating the whole production process; she's one of the people it's always a pleasure to work with.